I've spent my career moving between two worlds that don't often overlap — the relentless pace of live broadcast and the patience of long-form storytelling. Both have taught me the same lesson from different angles: an edit only works when it disappears, when the audience feels the story instead of noticing the craft behind it.

My work spans high-volume broadcast environments, where fast decisions and tight deadlines are the norm, alongside film trailers, documentaries, advertising campaigns and premium streaming content that demand a slower, more deliberate hand. I've edited weekly sports programming reaching millions of viewers across three continents, cut international trailers for theatrical release, and shaped a Netflix original series that became the platform's #1 non-English title of its year.

Alongside my editorial work, I co-founded Moonrise Pictures, where I lead post-production for international film and streaming projects — overseeing editorial workflows, finishing and delivery while continuing to work hands-on as an editor. It's a role that keeps me close to both the creative and the technical sides of the craft, which is exactly where I want to be.

Based in Miami, available for remote work worldwide and on-site across the US and Europe.